So this is the end of the Tin Temptress strip. Did you like it? Would you want to see more?
I really hate asking you guys for money. You’ve been phenomenally generous already and the point of this comic is not to be a money making scheme. But if I don’t keep reminding you of the patreon button on the left of the screen or that we are just $140 away from our 2 page a week goal a lot of you will not notice it and then we won’t have the funds for the free comic at all.
But today’s begging is not about getting the funds to run the comic (Although nothing is stopping you from doing chipping in for that cause as well) but a simple request to help a friend move. They are looking to move to providence and just need the money to get set up in the new location. If you have a few buck to help out a cool guy and gal it would be much appreciated:
Thanks for the support. I will now return to the more run of the mill begging you are used to.
Normally I will post up an incentive and let you know it’s free for all but your donations are what keep the incentives and comic coming. I would make an oblique reference to the fact that I am running out of money for the comic (the transmission blew on my car this week by the way, just saying) that is forceful without reaching the level of PBS holding a gun to big bird’s head blackmail. And then I would call it a day.
However this incentive requires a little explanation.
As I talked about in my previous post I have been working on a Tin Temptress comic short and in the process of looking for an artist I got a submission from Anna Kryczkowska. Anna had some pretty stunning visual in her gallery and a very reasonable prices. She wasn’t right for comic work but I thought she could make some fun pinups. So I sent her a set of instructions and reference pics for a scene as well as as saying “have fun with it”. This is what I got back:
Let me say Anna did have references of what Bunny looked like but at the same time she did have my permission to “have fun with it”. And she did have fun. This is an awesome picture with the one little glitch that the Bunny we know is a bit more Nordic than the lady in the image. She actually reminds me a little of a relative I have in Israel. She’s got that fertile crescent heritage feel about her.
When you send an image back to an artist you have to have a damn good reason to do so. A redraw is basically taking money out of their pocket. As I said Anna she gave me a very good rate, and this is a great picture, and I received this image literally a day after posting about how hard it was to get artist to draw non-white character. So really I don’t have a good reason to send it back. Thus you have this months incentive image of whoever the heck this is.
Now as always the image are free but any support you can give is going to make a big difference for this comic.
You can make a one time donation via paypal:
Any support is greatly appreciated.
I have been working on getting a site comic produced. It’s based off a character that sort of rose out of a number of memes on Blade Bunny. I posted a female version of the robot cowboy character the fans had named ”The Chrome Cowboy”. The female version was anointed “The Tin Temptress” by the fan. This lead to a Paul Sullivan song called Toffee Tin Temptress through a Google search and thus the proper name of the character became “Toffee the Tin Temptress”.
Well one thing lead to another and I started writing a comic script for this character and I decided that she would be a sort of terminator robot in that she could appear to be human. So then came the question of what her human form looked like. After writing up a description I realized I was making a character named “Toffee” white. Why couldn’t a robot cow girl in a post apocalyptic world be black? After all there are lot of bad things you can say about the machines that rise up to destroy humanity but “racist” is not one of them. So I changed the description of Toffee to be a black girl and sent the description off to the artist.
This is the face of the character I got back.
So here’s the dilemma. This is clearly not a face with African features. Yet if I tried to describe African features it would end up be a character of a black woman instead of an attractive woman who happens to be of African decent (or a robot built to look like a woman of African decent as the case may be).
Google image search came to the rescue and I just send a bunch of faces i found to the artist and she came back with this.
Which was pretty good. Unfortunately after drawing this the artist got wrapped up in some other projects and could no long work on the comic. So I had to go and find a new artist. This time I made sure to send over all the faces that I had collected to make sure that the new artist understood what I was looking for. This is what I got back;
Again walking a tightrope here because the facial features are good but the hair lacks volume. It just doesn’t look right for a black woman. Google image search again and the image was modified to this:
At this point I though that we were cooking with gas. Even without coloring you could tell the ethnicity of the character without it being insulting. Buuuutttt notice i said “even without color”. Well this is the colored version of the picture.
She’s freaking Irish.
Starting to see the problem here. It’s like pulling teeth to get a black character. If I asked for a Nordic babe I would get it on the first try. But a true ethnicity to a comic character, well the artist don’t have the experience with it. You have to constantly send back photo reference and very carefully worded explanations.
You want to know why there’s not as much diversity in comics? It because it’s just to bloody hard to get the artist to draw it.
PS: This is what I sent back to the artist describing what I want. Fingers crossed.
I will no longer be using Facebook to post alerts and information from the comic. This move will cost me a good deal of revenue and readership. But I will not give my business or content to a company that performs immoral psychological experiments on it’s users:
The Facebook is fundamentally broken:
I really want to reach the people on facebook and promote my comic but the moral cost of doing so is just too high.
So what is your preferred non-facebook social networking tool? The most votes in the comments is what I will put my efforts into.
I noticed something about my writing today. I have never in a script asked an artist to draw a woman as unattractive. Now, granted, I have never explicitly told an artist to draw a male character as unattractive as well. But if you look at all the comics I have had made there are unattractive men but their are not unattractive women.
This is can be traced down the heritage of comic artists. Modern artists being inspired by manga and superhero comics that were inspired by anime and Disney animation and so on back to a simplistic view of women’s roles. However, I can’t really really hide behind the excuse of “the artist did it” because I am aware of artists propensity to draw all women as attractive and all generic characters as men. If I am aware of the bias and don’t correct for it in my scripts then the fault is mine. After all I am paying for this, the artist has to do what I say.
To my recollection I have only once asked for an unattractive women (who was not a villain), a bit character by the name of Magnolia. This was back in my exiern days and I asked for and elderly, world weary, maid character. Even then I got something that looked like a young stripper wearing old woman makeup:
And yet I didn’t send the comic back saying “No, give her real wrinkles, a pot belly, and take out her 1000 cc breast implants”. I just said “meh, whatever” and when on with with the comic. I have often sent back comics when male character designs were even slightly flawed from my original vision. So why did I buckle when it came to Magnolia’s design.
Well, honestly, I like looking a pretty women. I didn’t send it back in the same way a child is distracted from a tantrum by jingling keys. I knew something was wrong but I just could not work up the emotional energy to to do anything about it because “Hey look! Boobs!”
So is this a problem? Is having no ugly women in media in general and in my writing in specific a problem? I would have to answer it that question “yes”. The reason this is a problem is simpler than some large cultural context. The answer is yes because it’s bad writing. Let me explain;
Good writing, in my opinion, is writing that makes a character feel like a real person with a history and wants and need of their own. When you do this it leads to richer interactions in the story and the character developing a voice in your head telling you what they want to do. But if you write all your female character as 20 something sex pots you have no richness and no unique voice to your characters. The more similar your character are the less interesting the story.
Also having characters that all look the same breaks the illusion of the fictional world. If women all look like they were built at a factory then it gives the world itself a factory sort of look to it. It breaks suspension of disbelief for those in your audience who are not distracted by the jingling keys of “hey look! Boobs!”
Ugly=Evil, Pretty=Good is also a horrible writing technique for the simple reason that if you telegraph your story like that there is no suspense to your story. Everyone’s allegiances are on their face for all to see. Sure it works for children because children are dumb when it comes to stories but after the age of 5 it ruins things for your reader.
The Good/Evil = Pretty/Ugly ratio also cheats you out of constructing a proper motivation for your characters. It instead leaves you with cardboard cutouts in the place of real people. If the answer to “why are they evil” is “because they are ugly” then you have not done the work for a proper story.
My writing Marigold was a joy for me when I was thinking of her as an surly old woman who was kind of an idiot but had a good heart. She was complex for just a bit character and I could think of a 1000 ways I could use her in the future and things that she wanted to do. When she came out stripperfied she lost a level of that complexity and went back to being just a bit character.
See the problem is not with making sexy women characters, the problem is not even with making the stereotypical sexy female victim character. The problem is with making them all sexy women. I, for example, could have made some of the monks women. I could have made some of the old monks women. That simple action would have added depth to the characters and realness to the world. But I didn’t because I was constantly thinking “I can’t put a woman in here, the boobs will distract from the character role” on a subconscious level at least.
Honestly I don’t know why I wrote this today. This is not something you need to hear and, in a sense, portrays me in a bad light. I guess its been something that has been bothering me but I have not been able to figure out what the problem was. It’s been this itch I could not scratch for a while now. I knew that sex was not wrong. I knew that having a sexy female character was not wrong. But I did know there was something wrong with my writing. It was not till I took a step back and said “Wait, this world is populated ONLY by men and a few sexy women” that I realize what the problem wa. It was something I wanted to share even if I get beaten up over it.